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MEDIA LITERACY
What is media literacy?
"Media literacy refers to composing, comprehending, interpreting,
analyzing, and appreciating the language and texts of...both print
and nonprint. The use of media presupposes an expanded definition
of 'text'...print media texts include books, magazines, and newspapers.
Nonprint media include photography, recordings, radio, film, television,
videotape, video games, computers, the performing arts, and
virtual reality...constantly interact...(and) all (are) to be experienced,
appreciated, and analyzed and created by students." 1
Media literacy helps students see the world
through a new lens. Media
influence the way we see the world. The media "construct" a world
which
may or may not truly represent things as they are.
Today, the phrase 21st Century Skills is being used in education circles
and it includes "media literacy," because, the authors' say, students
need these analytical and critical thinking skills not only to survive,
but also to become part of the competitive global economy.
Core Concepts of Media Literacy :
In order to best understand the concept of media literacy, it will help
teachers/students to study the core concepts. Core concepts are an
appropriate framework through which all media can be better studied and
understood. These 5 core concepts are based on those developed by
international media educators in Great Britain, Australia, and Canada.
Core Concepts of Media
Literacy2
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Applications to Film
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All media messages are
constructed |
In film, scenes are shot
out-of-order and then edited (constructed) to make a logical sequenced
story.
Who is in charge of the "construction:" the producer, the
director, the cinematographer, the editor? What role does each of these
people play in the production of a film? (see EDITING)
|
Media messages are constructed
using a creative language with its own rules |
In film, a wide, establishing shot (for example) is used to tell the
audience: here is where the action is taking place, take a look at this;
music may also be composed to convey a mood or evoke an emotion
(see also CAMERA SHOTS; LIGHTING;
MUSIC; SETTING/ART
DIRECTION)
|
Different people experience
the same message differently |
The audience brings its prior knowledge and experiences to its viewing of
the film and thus may come away with different interpretations and
understanding of what it all means.
|
Media have embedded values and
points-of-view |
After viewing the film, some viewers may get a "stereotypical"
view of life in the South during the depression. In what ways does
the film convey stereotypes.
Are the blacks in the film subservient to the whites?
(see SYMBOLISM)
|
Media messages are constructed
to gain power and/or profit |
This film would not have been made if the studio and producers did not
feel they would receive a return on their investment. (To Kill A
Mockingbird won several Academy Awards in 1963, and was one of the
most profitable films of that year.)
|
Critical Inquiry
Closely tied to the CORE CONCEPTS listed above are KEY QUESTIONS. "At
the heart of
media literacy," says the Center for Media Literacy's Elizabeth
Thoman, "is the principle
of
inquiry." We want students to learn how to ask questions about the media messages
they
encounter in their daily lives. Listed below are some key questions and how students
might relate them to the film, To Kill A Mockingbird:
Key Questions of Media
Literacy2
|
Some Key Questions to
Consider
|
Who created this message? |
Who wrote the SCREENPLAY?
What are the challenges of adapting a screenplay from a famous piece of
literature?
Who was the PRODUCER, DIRECTOR, and CINEMATOGRAPHER? What are their roles
and responsibilities
Could it have been EDITED differently, if so, how so?
Where is the SETTING of this
film?
|
What techniques are used to
attract my attention?
(See: LANGUAGE OF FILM) |
Why was it shot in "black and white"?
How do CAMERA SHOTS
communicate meaning?
Identify SYMBOLS throughout
the film.
Listen closely to the MUSIC; how
does it contribute to the film?
In what ways does it communicate happiness; about childhood; fear and
uncertainty?
What role does LIGHTING play?
Listen for SOUND EFFECTS
and discuss how they influence you during a particular scene.
|
How might different people
understand this message differently from me? |
How might different viewers from me, interpret this film differently?
Why do they not "see" the same things that I see?
How do my life's experiences filter my understanding of the film?
|
What lifestyles, values,
and
points-of-view are represented
in or omitted from this message? |
How do the producers of this film REPRESENT the antagonist or the
protagonist?
What do the SETTING, the
clothes, the accents of the actors all communicate about the time period
or the way of life of these characters?
How do the children learn about right and wrong; good vs evil?
What role does each character play in communicating values?
|
Why was this message sent? |
Why was this film made? Did the success of Harper Lee's book play a part?
Do you think it was risky making this film during the Civil Rights period
in American history? Why or why not? |
Other questions worth consideration:
Who produced the film? Why?
What was the purpose of producing the film?
What experience did screenwriter Horton Foote have that made
him an appropriate choice for adapting Harper Lee's novel?
What techniques are used to make the audience believe the story?
What lifestyles are shown or implied?
How might other people see this film differently from me?
Is anything left out of the story? Why? (compare the novel to the film version)
More about core concepts here:
Media Literacy Core Concepts
http://www.media-awareness.ca/english/teachers/
media_literacy/key_concept.cfm
Center for Media Literacy's MediaLit Kit
http://www.medialit.org/bp_mlk.html
What is media literacy?
http://www.media-awareness.ca/english/teachers/
media_literacy/what_is_media_literacy.cfm
Other resources:
Center for Media Literacy http://www.medialit.org
Media Literacy Clearinghouse http://www.frankwbaker.com
See bibliography for all source material cited here
©2004
Frank Baker
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