{"id":19999,"date":"2017-06-26T23:11:34","date_gmt":"2017-06-27T03:11:34","guid":{"rendered":"https:\/\/www.frankwbaker.com\/mlc\/?page_id=19999"},"modified":"2023-12-07T10:02:36","modified_gmt":"2023-12-07T15:02:36","slug":"codes-conventions","status":"publish","type":"post","link":"https:\/\/www.frankwbaker.com\/mlc\/codes-conventions\/","title":{"rendered":"Codes &#038; Conventions"},"content":{"rendered":"<p><strong>Codes and Conventions in Media<br \/>\n<\/strong><br \/>\n\u2022 The media construct reality.<br \/>\n\u2022 The media have their own forms, codes and conventions.<br \/>\n\u2022 The media present ideologies and value messages.<br \/>\n\u2022 The media are business that have commercial interests.<br \/>\n\u2022 Audiences negotiate meaning in media.<br \/>\nMedia mediate reality via the use of recognized codes and conventions,<br \/>\nand the credibility or realism of a media text may be judged by the degree<br \/>\nto which the audience identifies with what is being portrayed.<\/p>\n<p>Media students identify three categories of codes that may be used to<br \/>\nconvey meanings in media messages: technical codes, which include<br \/>\ncamera techniques, framing, depth of field, lighting and exposure and<br \/>\njuxtaposition; symbolic codes, which refer to objects, setting, body<br \/>\nlanguage, clothing and colour; and written codes in the form of<br \/>\nheadlines, captions, speech bubbles and language style.<br \/>\n\u2022 the media produces meaning by using conventions<br \/>\n\u2022 audiences produce meaning from the interaction of the conventional material in the<br \/>\ntext, and their understanding of conventions<br \/>\n\u2022 the conventions that the media uses have a history &#8211; they come from somewhere and<br \/>\nthey are responsive to historical forces<br \/>\n\u2022 conventions are not natural but are cultural &#8211; they have cultural specificities &#8211; they are<br \/>\nnow somewhat universal &#8211; here we can probably think of advertising.<br \/>\n\u2022 the systems of codes that make up the convention can be clumped together under three<br \/>\nbroad headings &#8211; technical, symbolic, verbal\/written.<\/p>\n<p>By the term &#8216;code&#8217; we mean a communication system which contains<br \/>\nelements which have an agreed meaning and which can be combined<br \/>\naccording to agreed rules. This could be the English language, Morse Code, a<br \/>\ntraffic policeman&#8217;s hand signals, film etc.<br \/>\nIt is a fundamental premise of Communication Studies that all communication<br \/>\ntakes place via codes:<\/p>\n<p>A code is a rule-governed system of signs, whose rules and<br \/>\nconventions are shared amongst members of a culture, and which is<br \/>\nused to generate and circulate meanings in and for that culture.<br \/>\nFiske (1987)<\/p>\n<p>A code must consist of:<br \/>\n\u2022 a set of signs which carry meaning<br \/>\n\u2022 a set of agreed rules for combining those signs together<\/p>\n<p>Since it is the case that the codes we use are the result of conventions<br \/>\narrived at by the users of those codes, then it is reasonable to suppose that<br \/>\nthe values of the users will in some way be incorporated into those codes.<br \/>\nThey will, for example, have developed signs for those things they agree to<br \/>\nbe important, they will probably have developed a whole array of signs to<br \/>\ndraw the distinctions between those things which are of particular<br \/>\nsignificance in their culture.<\/p>\n<p>In other words, you might reasonably expect that the ideologies prevalent in<br \/>\nthose cultures will have been incorporated into the codes used:<br \/>\n&#8230;&#8217;reality&#8217; is always encoded, or rather the only way we can perceive<br \/>\nand make sense of reality is by the codes of our culture. There may<br \/>\nbe an objective, empiricist reality out there, but there is no<br \/>\nuniversal, objective way of perceiving and making sense of it. What<br \/>\npasses for reality in any culture is the product of the culture&#8217;s codes,<br \/>\nso &#8216;reality&#8217; is always already encoded, it is never &#8216;raw&#8217;.<br \/>\nFiske 1987<\/p>\n<p>Social Values and Representation<br \/>\n\u2022 Social values are the unwritten laws by which a culture lives. They are so transparent that<br \/>\nthey may exist without us even realising their impact.<br \/>\n\u2022 Social values may remain constant across generations and cultures or they may vary.<br \/>\n\u2022 Social values are partly based in reality and partly aspirational.<br \/>\n\u2022 Social values may or may not reflect people\u2019s bahaviour but always reflect belief.<br \/>\n\u2022 Media products are crafted to suit an audience, they must reflect the basic beliefs and<br \/>\nvalues of the target market or that market will not buy the product.<br \/>\n\u2022 Most media texts support dominant social values and as such are a cleverly crafted<br \/>\namalgam of cosy familiarity and fantasy.<br \/>\n\u2022 Texts that challenge social values are less common although they proliferate in times of<br \/>\nsocial upheaval and uncertainty.<br \/>\n\u2022 Some texts simultaneously support and challenge the values of the time and place of<br \/>\nproduction.<br \/>\nSocial Values may be one or more of the following:<br \/>\n\u2022 Dominant<br \/>\n\u2022 Traditional<br \/>\n\u2022 Emerging<br \/>\n\u2022 Subcultural<br \/>\n\u2022 Oppositional<br \/>\nFurther Reading:<br \/>\nSwinburne Home Page http:\/\/www.swinburne-senior-sc.edu.vic.gov.au\/media_studies_links.html<br \/>\nThe Media and Communications Studies Site <a href=\"http:\/\/www.aber.ac.uk\/media\/\">http:\/\/www.aber.ac.uk\/media<\/p>\n<p><\/a>The material posted here was originally found at:<br \/>\nhttps:\/\/web.archive.org\/web\/20071001000000*\/http:\/\/www.sssc.vic.edu.au\/dpd\/Code%20and%20conventions%20in%20Media%20Texts.pdf<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Codes and Conventions in Media &bull; The media construct reality&#8230;.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-19999","post","type-post","status-publish","format-standard"],"_links":{"self":[{"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/posts\/19999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/comments?post=19999"}],"version-history":[{"count":1,"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/posts\/19999\/revisions"}],"predecessor-version":[{"id":36490,"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/posts\/19999\/revisions\/36490"}],"wp:attachment":[{"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/media?parent=19999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/categories?post=19999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankwbaker.com\/mlc\/wp-json\/wp\/v2\/tags?post=19999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}