TABLE OF CONTENTS

 

FILM STUDY GUIDE FOR TO KILL A MOCKINGBIRD
SEEING THE FILM THROUGH THE LENS OF MEDIA LITERACY



INTRODUCTION

FRAMEWORK FOR ANALYZING FILM

MEDIA LITERACY

USING TKAM
ON DVD


CORRELATION TO
TEACHING 
STANDARDS


LANGUAGE OF FILM

SYMBOLISM

LIGHTING

CAMERA SHOTS

EDITING

MUSIC

SOUND EFFECTS

SCREENWRITING

SCREENPLAY

SETTING & 
ART DIRECTION

SCENE ANALYSIS

MOVIE REVIEW

GLOSSARY

MOVIE MARKETING

 

 


 

 

 

 

 

 

 

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CAMERA SHOTS/CINEMATOGRAPHY
The exact shot framed by the cinematographer can communicate many things to the viewing audience.  (TKAM cinematographer
Russell Harlan was nominated for an Academy Award in the category "Best Black-and-White Cinematography" for his work
on this film.) The framing of a particular shot can communicate power or weakness, for example. 


Other considerations- 
Students could also notice:

- high and low angle shots

- when the camera moves and why

- the distance between camera and actor or action.

"Often a low angle reinforces the sense that the subject is large
or dominant or imposing or powerful, but not always."

With the camera low-shooting UP- it gives the audience the impression that someone is larger, towering, more important or powerful

"Often a low angle reinforces the sense that the subject is large
or dominant or imposing or powerful, but not always."
1

With the camera high-shooting DOWN- it gives the audience the impression that someone is smaller, less significant, helpless, or vulnerable 

"...a high angle does not always make the subject(s) seem small, 

vulnerable, or weak, though in many contexts it does." 1


Close Ups (primarily faces, signify intimacy)2

                       Images above from TCM Essentials website

 

Medium Shots (most of body, personal relationship)2


Wide/Long/Establishing Shots
(setting & characters; context, scope, public distance)
2


Grammar of Television (Berger) can also be applied to film 3 

Signifier (shot) Definition Signified
close-up face only intimacy
medium shot most of the body personal relationship
long shot setting & characters context, scope, public distance
full shot full body of person social relationship
pan down camera looks down  power, authority
pan up camera looks up smallness, weakness
zoom in camera moves in observation, focus
fade in image appears on blank screen beginning
fade out image screen goes blank ending
cut switch from one image to another simultaneity, excitement
wipe image wiped off screen  imposed  



Learn more about camera shots, focus, lighting and other techniques in the text:
Reading In The Dark, Using Film As A Tool in the English Classroom, by John Golden, 
published by NCTE

 

Recommended Links
Camera shots
Film Language: Use of the Camera
The Grammar of TV & Film
Making Movies Make Sense: Framing

Seeing Through the Image: Cinematography

See bibliography for all source material cited here


© 2003  Frank Baker