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In
general, consumer advocates insist that advertising can unduly
persuade and manipulate the unsophisticated child; that advertising
encourages the child to pressure parents to buy things and that
advertising can imbue such undesirable values as materialism, as the
need to consume, and as irrational consumer decision-making. On the
other hand, the marketers content that advertising mainly reinforces
existing opinions; that parents have a key role in decision making;
that advertising can result in a positive interaction between parent
and child as an occasion for learning about consumption; and that
advertising only reflects the value system of the society and
prepares the child for the role of consumer. (I 89)
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From
the research presented by Sutton-Smith, "the data
show that the younger children (those under six years) do
not easily distinguish between programs and commercials;
that in fact most of them (over one half) trust, like, and
want to see commercials" (189-190). However, Sutton-Sn-iith
notes that as children grow older, they begin to trust
television less, perhaps due to "the failure of
purchased items" (190). One must question what sort
of effect the trust and belief in television and
advertisements at a young age has on children in the long
run.
Is this something that effects their life-long role as
consumers?
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Answers
to this question come in several different forms.
According to Carlsson-PaigeALevin, toy advertisements
"undemiined children's basic sense of
self-sufficiency in play" (84). Carlsson-Paige/Levin
write that this occurs because "every toy had one
specific function so a child would have to buy lots of
them in order to play" (84) and that "once they
(the toys) have been used in the intended way and the
novelty wears
off,
it's hard to figure out what to do with them next- how to
use them in a creative and imaginative way" (84).
Sutton-Smith also notes toys as novelty. In a survey
included by Sutton-Sniith, "the average number of
toys in the one-year-old's bedroom was 28 and for the
six-year-old it was 91 " (176). Later, Sutton-Sn-iith
describes how this mass quantity of toys could be viewed:
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A
socialist cynic would say that in addition to teaching
children capitalist habits of consumption and waste, and
teaching children to grow up with their self-esteem tied
to the receiving of novel and unnecessary gifts or toys,
we are also teaching them the addiction of novelty. By
constantly changing the toys presented to children, it
might be said we are educating them in distraction;
teaching them never to pay enduring attention to any
particular thing, because other more novel items will soon
arrive. (187)
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On
the other hand, Sutton-Smith acknowledges another point of
view which is that "toy novelty is also a kind of
information and a kind of leaming" (188). This
perspective believes that "children are being
habituated to the constant barrage of ever-changing
stimulating in toys because that is also a feature of late
20th century living" (189).
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From
observing actual toy commercials that are currently being
shown on television, several clear messages,
or
signs, can be derived. The first of these messages relates
to how toy advertising relates to gender. There is a large
distinction between toys that are made for boys and toys
that are made for girls when it comes to advertising. Boys
commercials are filled with adventurous music and
loud booming voices where as girls commercials have light,
happy music. Colors that are used in toys, packaging, and
commercials also reflect what gender the commercial is
aimed at. Girls toys are advertised with colors such as
pink, purple, and other pastels. Boys toys are advertised
with dynamic colors like red, yellow, black, or primary
colors. Commercials advertising toys for boys show
powerful images such as fighting and action with cars,
guns, super-heroes, action figures, etc. Commercials for
girls, however, seem soft and peaceful featuring play
kitchens and dolls. The overall sign of these gender
stereotyped toy conunercials is that society still wants
girls to grow up to be docile, soft individuals who are
good mothers, house keepers, and wives, and boys to be
strong, unfeeling, aggressive fighters.
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D
o the conunercials reflect existing differences between
toy choices of girls and boys or do the commercials
and
society influences cause these differences? Most sources
seem to believe that toy preferences are both the results
of "nurture and nature". According to Guber/Berry,
"the process that results in children's adopting
sexual roles and behavior appears to come from both nature
and nurture, the interplay of genetics and
socialization" (73). Sutton-Sniith also expresses a
similar opinion. Goldstein states that when children are
given
a choice, "girls tend to choose dolls and household
objects, and boys soldiers and trucks" (I 15). Goldstein
goes on to discuss whether these differences are due to
"biological" or "social" processes or
a combination of both. Goldstein believes that television
commercials do play a role in "sex role
stereotypes"
(I
27). Goldstein reports that "children of all ages
tended to identify the advertisements with girls' features
as female and those with features from conunercials for
boys as male"(127) when shown two types of
commercials, "one containing clusters of features
that appeared mainly in advertisements for boys and one
with features appearing in advertisements for girls"
(127). Children are developing identities and they model
their behavior after what they can identify with. This
would explain why girls and boys choose different toys;
they are trying to model their behavior with what is shown
to be acceptable.
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Toy
commercials also show other signs unrelated to
gender. Some commercials show children showing a
particular toy to an adult figure and the adult
always smiles and seems pleased. This is a sign
to children that this is a toy that their
parents will be happy to buy. Toy commercials
also show the featured children playing with
other children (usually of the same sex). This
is a message to children that they will have
someone to play with if they own the toy.
Another strong message in toy commercials is
that one of the toy is not enough. This
observation correlates to the writings of
Carlsson-Paige/Levin. Typically, a toy is not
featured alone. It is advertised with either
accessories, other similar toys that can be
purchased from the same company, or addition
materials that make the toy seem more exciting.
An actual example of this is from an
advertisement for "Polly Pocket"(a
niiniature doll). This advertisement provided a
message of incentive to their target audience of
young girls to want to buy at least ten Polly
Pocket sets so they could receive free dolls
through the mail.
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Children
are an extremely vulnerable audience. At young
ages, children are searching for images that
will help them develop an identity. Toy
advertising limits a child's ability to
discriminate between who they want to be and
what they are told they should become. This
limited freedom in shaping their identity is
going to have an impact upon their future. The
unresponsive and indifferent trend exhibited by
teenagers of today may be due to an identity
crisis caused by the inability to develop a
character on their own during childhood.
Children must be given more freedom to determine
who they are without the strong influences that
advertising places upon their minds.
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Carlsson-Paige,
Nancy and Diane Levin. "Saturday Morning
Pushers." The Utne Reader January/Feb.
1992: 68-69.
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Goldstein,
Jeffrey H., "Sex differences in toy play
and use of viedo games",Toys, Play and
Child Development, New York: Cambridge
University Press, 1994
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Guber,
Selina S. and Jon Berry, Marketing to and
Through Kids, New York: McGraw-Hill, Inc., 1993
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Sutton-Sn-iith,
Brian Ph.D, Toys as Culture, New York/London:
Gardner Press, Inc., 1996
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